The Context & Challenges of War Commemoration, Confederate Statues, and Activist Art in America
Registration for this class is now closed.
Course dates & times: 12:00-1:30 pm (Central) on Tuesday, 4/27; Wednesdays, 5/5, 5/12, 5/19
Weekly Topics:
Lecture 1 (Tues., 4/27): Traditions and Potential Problems of War Monuments & Commemoration
Lecture 2 (Weds., 5/5): Location, Location, Location: Considering Public Monuments In Situ
Lecture 3 (Weds., 5/12): Guest speaker on modern case study: Civil War Monument expert & class reading author Prof. Sarah Beetham
Lecture 4 (Weds., 5/19): Reclaiming Spaces: African-American Artists Respond
Total: $135 for 4 classes (6 class hours)
**To encourage productive discussion, this course relies on limited outside coursework, such as short readings and a self-guided tour of local public monuments. (Please see “course requirements” below for more details.) Students may also receive a preparatory email from the instructor prior to the first class.** Also, there are mature themes and imagery in this course.
Course Description:
Expand your perspective around this important national debate through the lens of art history! In this unique hands-on course, we’ll approach this complex subject from several object-based angles. Along with lectures, readings, and discussion, we’ll:
Conduct self-guided tours using written instructions from Dr. Hannah as a means for investigating the public monument format, including Confederate monuments.
Host a live interview with a field experts, Prof. Sarah Beetham, the author of a required reading.
Consider the challenges of commemorating the history of slavery and the Civil War and other problematic aspects of the American story.
Explore the creative ways that Black artists are transforming and engaging former sites of Confederate monuments.
Take a sneak peak into the course with this 4-minute video! Civil War art historian and course guest speaker, Prof. Sarah Beetham, masterfully answers the question, “What makes the study of Confederate monuments *interesting* as well as important?” Hear her connect Confederate monuments with ancient sculptural forms, the boom in American sculpture during the 19th c., and larger issues around public monuments.
Course requirements:
Self-guided tour of public monuments: Prior to or during our first class, students will receive materials to conduct a self-guided tour of public monuments in their area. (Austin-based students will be directed to the Texas capitol grounds.) Dr. Hannah will also record a video tour of the capitol grounds for those who can’t visit an outdoor monument or public statue on their own. From Hannah’s past experience, this in-person interaction with several different monuments was a key factor in students’ understanding and essential context for a grounded, art historical conversation on Confederate monuments.
Required reading distributed in class:
Sarah Beetham (2016), “From Spray Cans to Minivans: Contesting the Legacy of Confederate Soldier Monuments in the Era of ‘Black Lives Matter’”, Public Art Dialogue, 6:1, 9-33.
Watch video of Prof. Beetham giving a summary of the article.
Reliable internet connection.
Ability to log onto Zoom in order to watch, listen to, and participate in live lecture sessions.
Strongly recommended: Computer webcam and microphone to optimize class participation.
Registration for this class is now closed.